You experience a special kind of peace, when you take a walk in the open arcades and peek in at the green patch of grass and the large tree in the centre of the yard in the most well-preserved monasteries of the north.
Everyday sounds and worries are denied access behind the red brick walls of the Karmeliterkloster.
Peace reigns here.
When you stand there in the intersection, deciding to go one or the other way around the green convent garden, it is as if you relax and breathe a little more freely.
Which way you you take? It is suddenly the only question you need to ask. Everything else can wait.
The daylight disperses in thick stripes over the zigzag-patterned brick floor down the cloister. The light falls in through the windows, through which you can always see the great tree, centrally placed in the convent garden.
After a visit to the carmelite monastery, you are once again ready to take on the world.
The Saint Mariæ church displays a number of chalk paintings from the end of the 1400s. Among the paintings is a number of curious gaping heads around the church, the so called ”vrængemasker” (sneering masks). A toad, a naked man and a swan are some of the things coming out of the gaping mouths of the paintings. Their significance is unknown.
A great tourist magnet is the Skt. Mariæ church’s organ, which hails from 1662-63, where the organist was famed townsman Diederich Buxtehude. Buxtehude became one of Denmark’s greatest composers, and Johann Sebastian Bach and Georg Friedrich Händel were among his admirers.